Troy
Croom
English
832
Prof.
Whiteside
15
December 2014
Music
Therapy for Nurses:
Thinking
Critically About Healthcare
Before
entering graduate studies at SFSU for English Composition, I was in a
pre-nursing program where all classes were taught by lecture and lab
where, unlike my graduate work, no opportunity was created for
discussion or critical thinking. Beyond the memorization of
scientific data, the only analytical exercises were applications of
anatomical facts to lab questions, but never the chance to question
the ideologies that underpin the healthcare industry. My research
suggests that pre-nursing courses share this same lecture tradition
with many nursing schools. Not surprisingly, there has been an
outcry in recent years for more critical thinking for nursing school
pedagogy. (2008; Ozkahraman, 2011; Shin, 2008; Walker, 2003). In the
spirit of this scholarship, the goal of this paper is to offer a
proposal to apply notions of literacy as a social act to help
students develop critical thinking skills in the nursing room
classroom.
Literacy
Review
The
literacy foundation for this proposal stems from the importance of
insisting on the understanding multiple literacies,
rather than the conventional, narrow view of literacy.
Where
the term literacy
has
for too long described learners simplistically and ineffectually as
literate or illiterate, capable or incapable, the term literacies
takes the broad view that all people are capable of multiple
literacies, developing and utilizing literacies for various kinds of
communication and success, for example, math literacy, computer
literacy or health literacy (Barton & Hamilton, 2000; Kern, 2004;
Walter, 1999; Weinstein-Shr, 1989, Santos, 2014; Nutbeam, 2000).
Literacy has been described using a variety of metaphors -- literacy
as skill,
literacy as task,
literacy as practice
and,
finally, literacy as critical
reflection,
also referred to as critical
thinking or
as social
action (Barton
& Hamilton, 2000, p. 13 , Hernandez-Zamora, 2010, p.9, Walter).
For the purposes of this paper, I shall use the term literacy as
social
action.
Promoting
health literacy as a social act is a vital movement empowering
students with a greater understanding of health practices and health
services ( Nutbeam, 2000; Santos, 2014) Although this paper
discusses music therapy as a heath literacy, I’m tailoring the term
to fit my proposal in an unconventional way. Where heath literacy
generally addresses the education of the marginalized directly,
helping them improve health habits or to locate and access health
services (Nutbeam, 2000; Santos, 2014), my application of literacy
empowers the marginalized -- that is, the elderly in long-term care
facilities -- indirectly by empowering tomorrow’s nurses with a
therapy not normally at their disposal, namely music therapy.
My
proposal is informed by key voices in the literacy field who have
helped re-imagine literacy as a social act, as opposed to viewing
literacy as a social
practice.
As Barton and Hamilton and others use the term, literacy as
social practice limits
its scope to reporting the way literacy operates to improve life on
the interpersonal and intergroup level (Barton and Hamilton, 2000;
Weinstein-Shr, 1989). However, as Walter (1999)points out, this
perspective tends to simply record literacy events, rather than
asking difficult questions about assumptions behind the status quo
and prescribing options for action. (p.35)
In this way, literacy as
a social
practice tends
to enforce the dominant ideology, repeating what some call
marginalization of individuals and groups, without offering a remedy.
(Freire, 2001; Hernandez-Zamora, 2010; Walter, 1999) Interpreting
literacy, not merely as a social
practice,
but as a social
act,
creates a much more active social dynamic. The former sees literacy
as a personal problem, not a social issue, thus requiring no
resistance to the status quo. Where the former lays the burden of
illiteracy on individuals’ problems, the latter perspective sees
literacy issues as systemic and calls on leaders in the field to
address the political implications of education, and the need for
promoting literacy as critical reflection. (Freire, 2001;
Wallerstein, 1983; Walter, 1999) On the personal level, this
approach has the potential to help students discover their voice,
their true identity, since literacy is a “fundamental practice for
self-authoring one’s place in the world” (Hernandez-Zamora,
2010, p. 9) or in Freire’s words, in learning to read, students
learn to “read the world” (as cited in Kern, 2014, p. 36).
Indeed, Freire (2001) goes so far as to say that literacy is
meaningless unless it leads to “the right of self-expression and
world-expression.” ( p. 340)
Beyond the personal level, critical
thinking can lead to the betterment of society overall, as it
challenges people to re-think social priorities, thus reshaping the
“collective consciousness” with revolutionary implications.
(Walter, 1999, p. 44) In this sense, literacy has the power to
affect the masses, whether they’re conscious of these literacy
events or not (Barton & Hamilton, 2000, p. 13).
Why
Music Theory?
My
interest in applying music therapy to the nursing school classroom
started after seeing the documentary “Alive Inside” on using
personal music systems for Alzheimer’s and dementia patients in
long-term rest homes. In the film, patients presented iPods with
music chosen to match patients’ preferences come to life in a
miraculous way. People largely limited to drug therapy, previously
withdrawn and non-communicative for years, unable to remember
specific memories of their lives -- thus essentially devoid of a
sense of identity -- now recall vivid details of their lives with
fluid speech and often ecstatic recovery of their personal
identities. Thus, where drug therapy has apparently failed, music
therapy holds tremendous promise. Moreover, the benefits, and the
importance of, administering music therapy in this personal way are
based on solid, peer-reviewed research. (Gerdner, 1992; Remington,
R., Abdallah, L., Devereaux Melillo, and Flanagan, J., 2008).
Dan
Cohen, MSW, a former social worker, has made it his mission to
promote this program of personalized music therapy, which he named
Music and Memory.org. In addition, Cohen has developed a series of
webinar workshops to train rest home personnel across the country in
the application of this therapy. As successful as the program has
been already, Cohen has met with major resistance from rest homes,
though the reason is unclear. One doctor in the film who is
sympathetic to Cohen’s mission explains that, while there would be
no problem in prescribing $1,000 in medications for a patient, the
powers that be are very reluctant to help out with $40 for a personal
iPod due to existing regulations, possibly the power of the
pharmaceutical industry. (“Alive Inside,” 2014) The mystery
behind this is a central part of the workshop.
If
Cohen’s Music and Memory program has met with obstacles,
nonetheless, it seems ideally suited for the purposes of my proposal,
that is, challenging the nursing school classroom with a fresh
perspective on treatment of dementia while championing literacy as a
social act. In fact, perhaps because
this
program has met with resistance, this further legitimizes my proposal
since this controversial approach, as represented by the film “Alive
Inside,” seems the ideal conversation piece for igniting critical
thinking in a nursing school classroom.
It
should be noted, incidentally, that this application of critical
thinking quite likely differs from the one typical nursing school
pedagogy calls for. Where that literature urges teachers to move
toward student-centered pedagogy to help students think analytically,
I’ve seen no encouragement toward questioning the health industry.
However, in my proposal, I hope to inspire students to find their own
voices, to ask the difficult questions about the industry in an
environment that welcomes inquiry and reflection.
THE
PROPOSED WORKSHOP
The
Guest Speaker
I’m
calling this presentation a “workshop” because I visualize an
outside instructor trained in this specific curriculum going from
nursing school to nursing school as a guest speaker to present the
proposed lesson plan. This guest instructor would need very specific
qualifications. In addition to being an affable and professional
communicator, he/she would ideally have training in gerontology
nursing; experience in long-term nursing facilities; experience in
treatment of dementia patients; an understanding of the ideologies
and regulations that govern local long-term facilities.
The
Lesson Plan
Goals:
after completing this workshop, students will be able to:
Discuss
the challenges facing dementia patients in long-term care.
Discuss
the challenges facing nurses who treat dementia patients.
Discuss
the power of the pharmaceutical industry on long-term facilities.
Evaluate
critical thinking benefits for the nursing school curriculum.
The
lesson plan overview:
1.
Introduction: Brief Presentation -- teacher and program (5 minutes)
teacher’s
background:
the
background, purpose and agenda of the workshop:
“Alive
Inside”
Music
and Memory.org
the
purpose and benefit of a critical thinking workshop
2.
Getting Acquainted:
Individual
quick write -- guided questions (10 minutes)
Why
did you become a nurse?
What
do you anticipate will be the most enjoyable parts of your job as a
nurse?
What
do you think will be the most challenging parts of the job?
Small
group work (2--3 people) -- discuss quick writes (10 minutes)
3.
Whole Group discussion of Students’ Schema --
finding
out what they already know (15 minutes)
What
training do you have in treating dementia patients?
What
experience, if any, do you have in treating dementia patients?
From
what you’ve learned, what are the symptomatic issues of dementia
patients?
From
what you’ve learned, what are the benefits of pharmaceutical
treatment for dementia patients?
What
do you know about the benefits of music therapy, especially
personalized music therapy?
What
is your experience with critical thinking exercises in nursing
school?
4.
Presentation of Film Clips from “Alive Inside” (25 minutes)
5.
Whole Group Discussion -- initial reactions to film (5 minutes)
6.
Small Group Discussion-- guided questions (20 minutes)
How
do you think it feels to be a nurse for dementia patients?
From
the film, how successful do you think drug therapy is?
From
the film, how successful do you think music therapy is?
Why
do you think Dan Cohen has had so much resistance in promoting
personal music therapy with iPods?
What
would it take to help you make a balanced decision on the benefits of
music therapy vs. drug therapy for these patients?
7.
Quick Meta-Write (10 minutes)
Your
thoughts on workshop content:
How
much do you value the information in “Alive Inside”?
How
much do you question the long-term care system?
How
much do you question the pharmaceutical industry?
Evaluate
critical thinking exercises for the nursing school curriculum (1-3
lines each)
How
useful was this workshop today?
How
important do you think it is to be able to question the industry
you’re about to enter into?
Why
is it important for students to be able to express their opinions?
Reconvene
-- individuals volunteer personal reports from the Meta-Write
(10
minutes)
Application
of Theory
My
proposal echoes scholarship in a significant ways. First, as a
critical thinking lesson, the way it makes students question their
world, and in the way they have to take a stand, these are steps
toward developing voice
and identity
(Friere, 2001; Hernandez-Zamora, 2010; Wallerstein, 1983; and Walter,
1999 ). Second, from a very pragmatic point of view, informing
nursing students about music therapy empowers
them (Friere, 2001; Hernandez-Zamora, 20120) with a useful option,
should conventional therapy fail, while introducing them to the
options of alternative medicine in general.
As
to specific classroom techniques, the workshop begins by getting
acquainted with the students in order to build on their shared schema
(Kern, 2014) by asking students to grapple with their experiences and
their feelings, which they use to synthesize final conclusions after
making
meaning from
a text (p,94). In this way, I borrow from concepts of “redesigning
meaning” from existing Available Designs. (Kern, 2014, p. 55) I
use film as a text, which functions as a code
to
trigger emotional response from students to help them express their
feelings in problem
posing
exercises. (Wallerstein, 1983, p. 20). Arguably the film’s
strongest tools, it might be argued, are the stories
it presents; stories
are
effective in the literacy classroom, Kern (2014) posits, because they
are “the overt expression of schematic knowledge.” (p. 99) In
fact, my lesson plan harkens back to Kern’s “three Rs” --
responding,
revising and reflecting (p.
307) After seeing clips from “Alive Inside,” students evaluate
their initial interpretations in small group discussion; after
hearing others’ viewpoints, students consider possibly revising
their opinions in a dialectic. In the final Quick Meta-Write,
students reflect
upon
the ways the documentary and the critical thinking exercise have
affected their thinking.
Potential
Challenges
Naturally,
not every nursing school will be interested in sponsoring a critical
thinking workshop. Some schools may see my lesson as someone trying
to push his own ideology. Even if my program is embraced, the
presenter has to be careful to focus on critical thinking, rather
than “transmitting a world view.” (Auerbach, 2001, p. 271)
Likewise, even if the presenter is very careful, there’s the chance
that some students may interpret the lesson as a political class,
rather than a critical thinking class. Granted, there is sometimes a
fine line between the two. As Auerbach says, “. . . the dilemma is
. . . how to acknowledge and embrace the . . . political nature of
participatory pedagogy without imposing a political analysis. This
is the dilemma I struggle with in all my teaching.” (p. 271) Of
course, another challenge is that my nursing students, unlike
Wallerstein’s students, may have had little or no specific life
experience with the code
I present. To some extent, the success of my program hinges on more
general schema that students can connect to through the stories in
the film.
Conclusion
Encouraging
nursing students to question the overarching assumptions of the
healthcare community can help them develop critical thinking skills,
which can make them more adept and independent in thinking for
themselves, an essential skill for nurses since, so often in
healthcare settings, patients’ problems don’t always go “by the
book.” Opening students’ minds to the benefits of alternative
therapies can equip them with new techniques when the traditional
means fail, and help develop their confidence in other solutions. In
a sense, though, this only takes literacy as far as literacy as a
skill.
The
greater potential of literacy as a social
act,
I feel, is to give students the permission to ask questions in ways
that they perhaps never could in typical nursing school classrooms.
Granted this permission, students are empowered, I hope, to consider
how the health care industry provides care and how it limits care;
how nursing schools provide a learning opportunity and how they may
sometimes hinder learning. If this empowers students, it is because
they’re challenged to think outside of conventional confines, yet
within a safe and supportive environment, redefining their sense of
identity with the power to question power.
Perhaps
the most interesting conclusion that I have found regarding literacy
as a social action
is it fluidity of application. Where, historically, the application
of this theory (Friere, 2001; Hernadez-Zamora, 2010; and Walter,
1999) has been to aid the marginalized, especially those trapped by
poverty or prejudice, I find it fascinating that the same theory of
equally empowers educated, middle-class nursing students, stymied by
American educational and health systems and, thus, oppressed in a
sense as well. In both applications, literacy offers students the
key to open doors once presumed to be pad-locked shut.
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